01
Camera and exposure
Select the lens, then control shutter, ISO, exposure compensation, white balance, focus, stabilization, and rotation lock.

TimeLapsed 2.0 · Coming September 2026
Professional timelapse camera for iPhone
Manual exposure, repeatable profiles, live frame blending, image-sequence output, and Camera Actions that change settings while the timelapse is running. Field planning and remote operation stay connected to the same capture workflow.


Shoot Simulator · Play With the Possibilities
Find a place. Let the sky turn. Blend headlights along the road, paint with light, or watch a timelapse unfold.
A Road. A Night Sky. A Shot Waiting to Happen.
Place Search: Open-Meteo / GeoNames. Custom coordinates use local mean solar time.
Creative ridge. Model this location to load its geographic skyline.
Drag or Use Arrow Keys to Aim · Double-Tap to Reframe · Pinch or +/− to Zoom · Click the View to Use Scroll Zoom
Sunlight follows your location and date. Star motion follows latitude and time. Weather, traffic, aircraft, and foreground use your scene settings.
Local Time: America/New_York, including daylight saving time.
Terrain: Creative scenery. Choose Model This Location to load a geographic skyline.
Solar Calculation: NOAA · Keep the same seed to replay your scene.
Make the scene yours. Choose a location, set the weather, and see what the light can do.
Plan a Real ShootExposure
Shutter · ISO · EV · white balance · focus
Cadence
Interval · playback speed · frame count
Processing
Frame blending · trails · color
Output
Timelapse video · image sequence
01 · The camera
TimeLapsed does not reduce the shot to an interval and a record button. Exposure, cadence, framing, live processing, color, and output are parts of one camera state. Profiles save that state; Camera Actions can change it during the recording.

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Select the lens, then control shutter, ISO, exposure compensation, white balance, focus, stabilization, and rotation lock.
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Set the interval and playback speed, monitor the running frame count, and keep the source frames as an image sequence.
03
Build light trails as frames arrive with blending, trail history, blend modes, masks, thresholds, glow, comet, restore, and erase controls.
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Use framing guides, crosshairs, focus rings, zoom readout, a configurable status display, and an optional second camera.
05
Load a complete setup for the shot, change any control, and save a copy that can be used again without rebuilding the camera.
06
Apply a LUT or tune color, highlights, shadows, contrast, temperature, tint, and sharpening before the frame reaches the recording.
02 · Camera Actions
A Camera Action is a timed instruction to the camera. It can move a control between two values, set an exact value at a chosen moment, or trigger an event. The timeline shows the resulting camera state before the recording is armed.
Move a control gradually from its start value to its end value across a defined part of the recording.
Change a control to an exact value at a specific moment without a transition.
Trigger a capture event at a point on the timeline.


Camera, Capture, Effects, and Color controls can be placed on the same timeline.
Move the playhead to see the interval, shutter, ISO, and other resolved values at that moment.
Choose the automation from the camera, review what will change, then run it or arm it for capture.
Holy Grail Sunset ramps interval, ISO, and shutter together; built-in automations can be duplicated and edited.
03 · Frame processing
Each frame can be combined with the accumulated result as it arrives. The camera preview shows the developing composite during the recording, with controls for trail length, history, blend mode, masks, detection thresholds, glow, comet behavior, restore points, and selective erasing.



04 · Camera profiles
A profile stores the camera, exposure, interval, output, and live-processing choices for a repeatable shot. Use a built-in profile as a starting point, change the controls that matter, and save the result as a separate profile.

Automatic shutter, ISO, and white balance

1/30 s shutter · ISO 1600 · 3800 K

1/30 s shutter · ISO 1600

1/30 s shutter · ISO 1600

1 s shutter · ISO 800 · 1 s interval

1/30 s shutter · ISO 1600 · Subject Motion blend

1/30 s shutter · ISO 1600




05 · Field planning
Select a location and date, inspect the night, find a darker sky, and preview where the subject will cross the camera frame. The planning tools answer concrete questions before the phone is mounted and the recording starts.
Place the Sun, Moon, stars, aircraft paths, and the selected camera field of view in the frame before setup.
Inspect true darkness, moonless windows, Milky Way visibility, weather, aurora, tides, and the strongest upcoming nights.
Read Bortle overlays at the selected location and compare nearby darker areas on the map.
Use stored airport departures and modeled runway climb paths to compose aircraft-trail recordings.
06 · Remote operation and trips
Another iPhone can connect to the camera, receive its live view, open the camera controls, start or stop the recording, reset the accumulated frame, and capture a still. Compatible Canon cameras can also appear in the remote camera selector.
Select a reachable TimeLapsed device and control its camera through the same grouped control system.
Connect a compatible Canon Camera Control API device from the remote camera selector.
Record by distance, elapsed time, both, or manual marks while preserving the route and trip chapters.
Start the trip on other reachable devices so each mounted phone records its own full-resolution angle.


07 · Additional capture systems
These are extensions of the timelapse camera—not a replacement for it. They use the same exposure, framing, effects, color, profile, and remote-control systems.
On supported iPhones, record two cameras into a side-by-side, stacked, or picture-in-picture composition with independent pane framing.
Switch the capture mode to 720p, 1080p, or 4K video with supported frame rates from 24 to 60 fps.
Real-time video can include synchronized microphone audio with a live level meter and adjustable gain.
Apply LUTs and detailed color controls to the live preview and the recording instead of waiting for a separate edit.
08 · Feature tour
Configure the timelapse camera, program Camera Actions, build composites as frames arrive, plan the sky and aircraft paths, and control a mounted camera remotely.

The timelapse camera
TimeLapsed 2.0

Camera Actions
TimeLapsed 2.0

Live frame blending
TimeLapsed 2.0

Dark Hours and Bortle maps
TimeLapsed 2.0

Sky Planner
TimeLapsed 2.0

Remote camera control
TimeLapsed 2.0

Departure Watch
TimeLapsed 2.0
External Display
Run HDMI or USB-C from the phone to a monitor, a projector, or a capture card and TimeLapsed sends the finished camera picture — not a mirror of the screen. It is free, unlimited, with our mark on it.
| What you get | FreeIncluded | ProWith any Pro plan | Production Display$399 / year |
|---|---|---|---|
| Picture out the cable | 1080p | Native / 4K | Native / 4K |
| Our watermark | Yes | — | — |
| Overlays, live audio, Now Playing | — | Yes | Yes |
| Display presets of your own | 1 | Unlimited | Unlimited |
| Show Mode, blackout, freeze | — | — | Yes |
| Alignment patterns | — | — | Yes |
| Your logo | — | — | Yes |
Every shipped display preset is free, Field Monitor included. Production Display is billed yearly, includes everything a Pro plan includes, and replaces it rather than sitting alongside it. Prices are set in App Store Connect and shown in your own currency before you buy.
What the Production licence buys
The output holds its picture if you walk away from the camera or the app is interrupted. Nothing changes what is on the wall but you.
A fade to black you can take straight back off, and a held frame, on a button, mid-show.
75% bars over a pluge strip, an 11-step grey ramp, and a ring and keystone focus chart — out the cable, for lining up a monitor or a projector.
The ladder inverts at the top: free carries our mark, Pro carries none, Production carries yours.
You need Production Display when the live output is part of paid work — a commercial production, a paid installation, a broadcast, or a client deliverable. Personal use stays free, and that is meant broadly: a gig, a wedding, a club night, a community event. If you are not being paid for the show, you are covered.

TimeLapsed 2.0
The original TimeLapsed remains documented separately. TimeLapsed 2.0 carries its advanced timelapse camera forward with a new control system, Camera Actions, live effects, planning, profiles, and remote capture.